Taken to Run All Night

Liam Neeson has managed to create an identity for himself as an action hero, following the hugely successful Taken, which was written and produced by Luc Besson.

The first movie was the best by far, a solid rescue/revenge thriller in which Neeson tracks his abducted daughter and wipes out a lot of bad guys. Keying off fears of being a powerless parent whose child goes missing in a foreign country, it was pretty effective.

The second movie was weaker, though the whole family get to participate in running around Istanbul, chased by Albanian gangsters.

The third movie is almost a different show, and by far the weakest, with Neeson tangling with US law enforcement. While his friends join in, it bears very little resemblance to the other movies and seems quite pointless.

Run All Night is like the grimer, alcoholic version of the Taken series, in a universe where no one respects Neeson. It’s a solid action movie, though I had whiplash from Neeson-the-respected-spy to Neeson-the-despised-hitman.

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